OCA TOKYO

A Space That Turns Even
the Slightest Detail Into a "Painting".

OCA TOKYO

A Space That Turns Even
the Slightest Detail Into a "Painting".

STATUS
COMPLETED
CLIENT
MITSUBISHI ESTATE CO., LTD.
Location
Tokyo, Japan
YEAR
2021
Category
Interior, Hospitality

OCA TOKYO is a private club that was born in Marunouchi in 2021 as a new gathering place where diverse people can freely come together and interact with each other.

When designing the space, I envisioned scenes of “a special place for oneself” and “It’s a place of openness only known to us “, aiming to create a sense of uniqueness among the people who gather there. Therefore, I boldly designed the entrance to create an exclusive atmosphere and set the tone for the first impression of the space. However, at the same time, it was essential to maintain a sense of comfort and casualness where one could casually mention it as “my cherished place”.

Without evoking repression or tension, the story of people and place unfolds freely as they move and interact with each other. This concept became the core of the design. In other words, it is a philosophy of designing with “people” at the center. For this reason, it was crucial to meticulously detail every aspect of the space to allow people to immerse themselves fully. Most of the products, such as tables and sofas, were designed to be original, creating a space where even the slightest detail becomes picturesque.

Sketch of the entrance at the beginning of the project.
The first step is to consider various patterns from the entrance to the space.
Create a space where neither oppression nor tension is felt,
where the stories of people and places are spun freely.

Initial image of the entrance, the face of the space. The details of the sketch are inhabited by details. This is also the same for the current entrance and the rest of the design.

There can be a person reading a book by the window with a cup of coffee in hand, two people in dialogue while spreading out documents, or a group of people who have never met before gathered at one table to socialise. This is a space where people and stories come to life, and where any situation is acceptable.

By focusing on every single detail that constitutes the space, it creates an exhilarating feeling that cannot be experienced at home, enveloping the senses and the heart in richness. That is OCA TOKYO.

DESIGNED BY
Taiju Yamashita
Communication Planner
Kae Ishii
Yuta Yamamoto
Chief Designer
Kihoko Kunito
Designer
Junpei Asai
Technical Designer
Miki Hashimoto
Kasumi Nakagawa
3D Design Director
Nevien G. Dianon
Chief 3D Designer
Inez T. Daria
Aiko M. Ordovez
3D Designer
Nifritti S. Rivera
Trizza A. Bontia
Sales Coordinator
Toshiyuki Kozawa
Branding - Director
Shunsuke Kimura
Branding - Art Director
Anri Namba
Branding - Designer
Hayato Tanimura
Branding - Account Planner
Akira Miyazaki
Misa Watanabe
( In Progress 34 )
Words
001

Its story begins with a chocolate house called “Whites.”

image
002

Roots of social clubs. It began in 1963 with a chocolate house called 'Whites', which opened in St James's Street, England.

Words
003

To begin with, humans have been gregarious creatures since ancient times. In the past, people gathered under bonfires to tell various stories and form communities. Social clubs also functioned as a place to engage with others and fulfil desires beyond the confines of the home or organization.

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004

Thoughts
005

I want to create a space that revolves around “people”. There are too many spaces that are “buildings for buildings”, “designs for designs”.

Thoughts
006

When creating a space, think of it like writing a script and imagining people. However, do not set the ending. Because I want to leave room for people to create their stories freely.

image
007

Thoughts
008

When creating a space, start from the entrance. It’s possible to set the tone of the entire space with just one doorknob.

image
009

Thoughts
010

In business, the goal is often to increase foot traffic, but sometimes, designing to deliberately restrain foot traffic can be effective.

Thoughts
011

Just one material can drastically change the expression. Even with just the combination of materials, it’s feasible to eloquently express the space.

image
012

Thoughts
013

If I can’t find materials I like, I would create them from scratch. That’s also the reason why I design products such as furnitures.

Sketch
014

Thoughts
015

What’s the difference between Disneyland and Universal Studios Japan? Thinking about this can sometimes be a hint.

Sketch
016

Thoughts
017

The very fine details from a very early stage.

Sketch
018

Thoughts
019

It seems that budgets are being cut, resulting in more spaces that feel like extensions of homes or offices, and fewer spaces that leave a vivid impression. I want to create an exhilarating feeling, like when you first dined at a restaurant you’d always admired when you were young.

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020

Thoughts
021

Architecture relies on technology, but it all starts with thinking through one’s hands.

Thoughts
022

Spaces even change the way people laugh and the expressions they make in photographs.

image
023

A space where the people who gather there can play a leading role. The space that serves as a backdrop for the people should also support their lives in abundance.

Thoughts
024

Designing the physical surroundings and adding vibrant color to their lives.

Thoughts
025

No matter how wonderful furniture is gathered from around the world in a spacious area, simply arranging them would just create a showroom.

Thoughts
026

An open and spacious environment does not necessarily lead to comfort. Manipulating walls cleverly creates rhythm and depth in the space.

Thoughts
027

For example, just because someone loves the sea doesn’t mean that designing a house where the sea is visible from every place every day is a success. Sometimes, taking an approach where the sea is only visible from a certain standpoint.

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