YOKOHAMA TIMBER WHARF

A New Symbol of the City,
Born from Harmony

YOKOHAMA TIMBER WHARF

A New Symbol of the City,
Born from Harmony

STATUS
COMPLETED
Location
Yokohama, Japan
YEAR
2025.10
Category
Architecture

Yokohama is home to many historically significant and unique buildings, such as the Red Brick Warehouse, Yamashita Park, and Osanbashi Pier. As a new center of vibrancy is being created in Yokohama, it becomes clear that the missing piece for the city is a new symbol. Around the world, there are numerous examples where a single building has transformed the image of an entire area. This new symbol should be a creative space filled with art and design, where cultural enjoyment also flourishes. Located at the heart of the fan-shaped Rinko Park, facing the sea from Yokohama, this grand symbol aims to completely change the city’s character. By making a single, strong impression, the perception of the entire city can be transformed.

The design adopts a “wood-based hybrid structural system,” in which timber is used as the fire-resistant covering for structural members. By adding a finishing layer of the same type of wood to the surface of the hybrid timber members, components can be periodically replaced without damaging the primary structure, enabling the appropriate circulation of timber and resulting in a sustainable architectural approach.

By combining a symbolic and grand form with the use of wood as a structural design element, we boldly incorporate a lattice-like shape that leaves a strong impression. Wood, which is rarely used in structural elements, is used boldly. These two bold choices, capturing the spirit of the times, rise harmoniously against the greenery of Rinko Park. The new symbol of the city will remain in everyone’s memory and become an unforgettable landscape.

DESIGNED BY
Taiju Yamashita
Senior Communication Planner
Ryuji Nishiguchi
Communication Planner
Sae Okamoto
Senior Technical Design Director
Jumpei Asai
Designer
Yuri Takahashi
Technical Design Director
Misa Yano
Technical Designer
Taisuke Inoue
Marketing Planner
Toshiyuki Kozawa
( In Progress 43 )
Thoughts
001

Yokohama may need a design that carries the scent of a creative, mature energy.

Thoughts
002

We hope to add a new layer of character to Yokohama’s diverse cityscape by bringing a new perspective to Rinko Park.

Thoughts
003

A single building can indeed change the entire image of an area.

Thoughts
004

It’s not about size. I want to create something compact yet with a large sense of scale.

Sketch
005

Thoughts
006

A design that blends harmoniously with nature, yet stands as a symbolic presence. We aimed to create a form that embodies the coexistence of nature and architecture as equals.

image
007

image
008

Thoughts
009

The timber used is divided into the structural framework and the outer “skin,” allowing the interior to be protected over time by renewing the skin as needed.

Words
010

In Japan, a tradition centered on wooden architecture has long existed, in which buildings are maintained by replacing individual components in response to aging and damage.

Thoughts
011

Because of the time we are living in, I found myself drawn to use wood as a structural element in architecture.

Thoughts
012

In contemporary Japan, is it not possible to create architecture based on the same way of thinking? Can we not build architecture that uses wood, ensures proper cycles of use and renewal, and is mindful of the environment?

image
013

Thoughts
014

A sustainable solution that reflects my personal approach.

image
015

Words
016

The roof forms a sequence of gentle arches, designed to blend seamlessly with the skyline created by the existing trees in Rinko Park.

image
017

Thoughts
018

Creating architecture is clearly different from creating interior design.

Thoughts
019

It is symbolic, yet it does not seek to dominate.

LINK
020
横浜ティンバーワーフ|YOKOHAMA TIMBER WHARF

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Thoughts
021

A design that blends naturally yet remains symbolic, harmonizing while maintaining a distinct presence.

Thoughts
022

Becoming a part of the landscape.

image
023

Words
024

Since Japan’s period of rapid economic growth, large numbers of rational, efficiency-driven buildings have been constructed and consumed. Architecture has routinely followed a cycle of scrap-and-build, exerting a significant impact on the global environment.

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025

Words
026

We believe that, instead of pursuing urban rationalization alone, architecture should be approached individually—used carefully, deliberately, and over the long term.

Words
027

From Scrap-and-Build to the Era of “Circular” Architecture

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