Villa ASO

The Natural Evolution of an Architecture

Villa ASO

The Natural Evolution of an Architecture

STATUS
COMPLETED
CLIENT
Hiramatsu Inc.
Location
Tokyo, Japan
YEAR
2023
Category
Interior, Hospitality

Villa ASO, located along Kyuyamate-dori in Daikanyama, is an architecture originally constructed as a private residence in the early Showa era, featuring prominent Art Deco influences. In 1997, this historic structure was transformed into the restaurant and cafe “ASO,” becoming a cherished landmark in Daikanyama.

When tasked with renovating the iconic “ASO,” my objective was not only to enhance its aesthetic appeal but also to address issues such fixing the wear and tear that had developed over time and improving spatial flow. I approached the project by tuning into the natural evolution of the building, allowing it to guide my design choices.

My goal was to preserve the memories of those who hold “ASO,” dear, retaining its essence while updating the overall design. The challenge was to design a new look that seamlessly integrated with people’s existing memories, making it feel like it had always been there. Success would mean people couldn’t remember the old design, feeling the new one had always been part of their memories.

A classical Western-style building with a 300-year-old zelkova tree. Rather than choosing between destroying the building or preserving it, the old building is being transformed into something new while being reanimated in accordance with the breath of the times.

Layers upon layers within the space enhance each other in beauty. The wood sash on the glass door, the antique chair with a new seat, the stone, wood, and brass on the waist-high storage, and the soft fabric finish on the walls are also key features.

Everyone has vibrant memories of ‘ASO.’ It is known that colors in our memory tend to be more vivid than the colors actually were. Similarly, memories, especially those of wonderful moments or places, become more idealized over time. I aimed to meet these expectations by designing a space that harmonizes the future direction of the architecture with the cherished memories people hold.

DESIGNED BY
Taiju Yamashita
Chief Communication Planner
Ryuji Nishiguchi
Communication Planner
Maki Watanabe
Chief Designer
Kihoko Kunito
Designer
Takeru Ebisawa
Chief Technical Designer
Saaya Inoue
Technical Designer
Taisuke Inoue
Technical Designer
Danjiro Ito
3D Design Director
Nevien G. Dianon
3D Designer
Nifritti S. Rivera
Marija Mateović
Iva Pejčić
Chief Engineer
Kazuya Hinoki
Naoki Goto
( In Progress 27 )
Thoughts
001

Architecture should adapt and enhance its relevance as times change.

Thoughts
002

Changing your hairstyle dramatically and having it look so good that people can’t remember your old look is the kind of seamless transformation I aimed for. You could also say that memories are refreshed or updated. I want to create that sensation.

image
003

A friend who has made a drastic change in her hairstyle is so naturally fit that people around her cannot remember her previous hairstyle.

Thoughts
004

In Japan, building renewals often boil down to a choice between demolition or preservation.

image
005

How to deal with buildings that should be aimed at

Thoughts
006

Every building has its unique character and history.

Thoughts
007

I strive to make bold changes that blend seamlessly into the existing structure.

Thoughts
008

Memories can be vivid. Memories tend to be idealized. When renovating old buildings, it’s crucial to anticipate and exceed these memories.

image
009

ASO before renewal

Thoughts
010

Architecture has its own progression, much like a musical composition. It evolves with the times.

image
011

Sketch
012

Thoughts
013

The term “modern” can sometimes hinder the appreciation of classical elements. Many people struggle with expressing classical design due to this overshadowing concept.

image
014

Sketch
015

image
016

Emotional memory of the city

Sketch
017

Thoughts
018

Architects are not researchers. While having some information is necessary, inspiration should be prioritized over extensive research. Creative expression does not only come from historical knowledge.

Thoughts
019

Inside me, there is both a logical thinker and a creative intuition, each appearing when needed.

Thoughts
020

Authenticity should be innate and effortless, seeping into every space without deliberate effort. Thus, any space inevitably reflects my unique touch.

Thoughts
021

The overall vision can shape the details, and other times the details emerge from the whole. In my case, it is more often the latter.

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